Adobe after effects cs6 full tutorial pdf free

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Animate is used to design vector graphics and animation for television series , online animation, websites , web applications , rich web applications , game development, commercials, and other interactive projects. The program also offers support for raster graphics , rich text , audio video embedding , and ActionScript 3. It was first released in as FutureSplash Animator , and then renamed Macromedia Flash upon its acquisition by Macromedia.

It served as the main authoring environment for the Adobe Flash platform, vector-based software for creating animated and interactive content. It was renamed Adobe Animate in to more accurately reflect its market position then, since over a third of all content created in Animate uses HTML5. FutureSplash Animator was developed by FutureWave Software , a small software company whose first product, SmartSketch, was a vector-based drawing program for pen-based computers.

With the implosion of the pen-oriented operated systems, it was ported to Microsoft Windows as well as Apple Inc.

In , the company decided to add animation abilities to their product and to create a vector-based animation platform for World Wide Web ; hence FutureSplash Animator was created. At that time, the only way to deploy such animations on the web was through the use of Java. In December , Macromedia bought FutureWave and rebranded the product as Macromedia Flash, a brand name that continued for 8 major versions.

On December 1, , Adobe announced that the program would be renamed Adobe Animate on its next major update. The move comes as part of an effort to disassociate the program from Adobe Flash Player , acknowledging its increased use for authoring HTML5 and video content, and an effort to begin discouraging the use of Flash Player in favor of web standards -based solutions.

ActionScript 2. Macromedia Flash Basic 8, a “lite” version of the Flash authoring tool targeted to new users who only wanted to do a basic drawing, animation, and interactivity.

The Basic product was eventually stopped. ActionScript 3. Other features of Flash CS5 are a new text engine TLF , new document templates, further improvement to inverse kinematics , new Deco tool effects, live FLV playback preview, and the code snippets panel. A sub-release was launched in August From Wikipedia, the free encyclopedia. Animation software made by Adobe. For the multimedia software platform, see Adobe Flash. For the player, see Adobe Flash Player.

Not to be confused with Adobe Edge Animate. Adobe Systems. Archived from the original on Retrieved Ars Technica. Retrieved 1 December December FutureWave software. Archived from the original on 5 November Retrieved 25 March Archived from the original on 9 February Archived from the original on 12 June Archived from the original on 1 October Archived from the original on 23 February Archived from the original on 1 December Archived from the original on 3 August Archived from the original on 14 December Archived PDF from the original on Sep Archived PDF from the original on 26 Sep Archived from the original on 5 December Retrieved 27 March Archived from the original on 13 March Daring Fireball.

Archived from the original on 30 April Mike Chambers. Archived from the original on 22 April Archived from the original PDF on 14 May Archived from the original on 12 April Archived from the original on 4 November Archived from the original on June 28, Retrieved June 20, Archived from the original on 26 March Retrieved 26 March Adobe Blog.

Motion graphics and animation software. Pivot Animator. Adobe Director Avid Elastic Reality. Adobe Flash. Adobe Flash Media Server. Adobe Creative Suite and Creative Cloud. Adobe eLearning Suite. Bridge Device Central. Adobe Inc. Category Commons. Authority control. Israel United States. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. A screenshot of Adobe Animate running on Windows.

FutureWave Macromedia. Windows 10 version and later, macOS Trialware software as a service. Initial version of Flash released in May, with basic editing tools and a timeline. The name “Flash” was created by blending the words Future and Splash. Released with Flash Player 4, new features include a redesigned user interface, internal variables , an input field, improved timeline smart guides, outline color mode , advanced ActionScript, publish settings panel and MP3 audio streaming.

Released with Flash Player 5, new features include pen and sub-selection tools, ActionScript 1. Released with Flash Player 7, new features include screens forms for non-linear state-based development and slides for organizing content in a linear slide format like PowerPoint , small font size rendering, timeline effects, updated templates, high-fidelity import and video import wizard.

Released with Flash Player 8, new features include graphical filters blur, drop shadow , glow, etc. Flash CS3 is the first version of Flash released under the Adobe brand name, and features improved integration with Adobe Photoshop , enhanced Quicktime video export, filter and motion tween copy-paste support, improved vector drawing tools becoming more like Adobe Illustrator and Adobe Fireworks.

Flash CS4, released in September 23, , introduces a new object-based motion-tween, renaming the former frame-based version as classic tween. Additions include basic 3D object manipulation, inverse kinematics bones , a vertical properties panel, the Deco and Spray brush tools, motion presets and further expansions to ActionScript 3. CS4 allows the developer to create animations with many features absent in prior versions.

Flash CS5 was released in April 12, , and launched for purchase on April 30, Flash CS5 Professional includes support for publishing iPhone applications. Flash Professional CS5. It includes improved support for publishing iPhone applications, following Apple’s revision of their iOS developer terms. Some examples are content scaling and stage resizing, copy and paste layers, sharing symbols across FLA files, symbol rasterization, incremental compilation, auto-save and file recovery, and integration with CS Live online services.

Adobe Flash Professional CS6 was released in It includes support for publishing files as HTML5 and generating sprite sheets. Minor performance improvements and bug fixes, and the removal of legacy features such as ActionScript 2 support, as well as the removal of the bone tool, deco tool and spray brush tools.

As part of the Creative Cloud suite, Flash CC offered users the ability to synchronize settings and save files online. Flash Professional CC was released in June 18, Flash Professional CC Flash Professional CC was released in June 15, , with the return of the bone animation tool inverse kinematics , import H. Adobe Animate CC

 
 

 

Adobe After Effects CS6 manual

 

When it comes to image editing and manipulation, Photoshop is the first software that crosses our minds. Whether you are a professional editor or layman, Photoshop is something that is not unfamiliar to you.

With its amazing features and user-friendliness, even along with many other latest software programs , Photoshop enjoys matchless authority. Check Update Creative Cloud apps for additional details. The version was known for better user control. Improved search capabilities and a vigilant Histogram palette that detects even minute changes in the image were other specialties.

Match color was another innovation that ensured uniformity in a series of images. The version made its grand entry into the market with a fresh group of Photoshop tools and features, and facilities. Launched in May , it was an expansion of the earlier form. Added benefits were things like Image Warping tools and vanquishing point. Users were happy to save time as they could make own custom presets.

Vanquishing point deals with perspective correction in photographs containing perspective planes. After specifying the planes in a particular photograph, processes like cloning, copying, pasting and transforming are performed. Here, you get results that are closer to real-life.

Image Warping allows a picture to be distorted or converted into a different shape. You can drag control points and achieve this condition. Both tools offer relief to artists or photographers who are involved in time-consuming and hectic photo retouching jobs. Above all, the version offers a user-friendly experience due to the ease of selecting features for specific purposes. Camera Raw version 3. Other characteristics are better spot healing brush and smart objects.

The addition of non-destructive editing was the highlight. It was the long-term demand of professionals from several industries.

The third version in the Creative Suite saw the introduction of quick selection wand. Several popular tools underwent thorough overhaul, including brightness, contrast, curves, vanishing point etc. Camera Raw Files were greatly supported.

The Black and White Conversion tool was another benefit. Before, users had a hard time converting color photos into black and white ones. There were few options to do it, but all of them produced results which were far removed from reality. The Black and White adjustment breathed a whiff of fresh air and allowed even the less skilled users to engage in the process in an effective manner. Available as stand-alone application, CS3 Extended presented everything in CS3, with much more additions.

This promise came just one year after the launch of CS4. The version which included Windows Vista 64 support came out in October It is more convenient to handle with the simplified interface. It allows quicker photo editing because of the simpler zooming and panning. The content-aware scaling and mask panels were added, along with adjustments. Fluid Canvas rotation and file display options were other options.

The content-aware scale and fluid canvas rotation were appreciated. The tool allows photographs to be reduced in size without allowing details to be cropped or excluded. The Canvas Rotation tool offers unique editing experiences.

With the tool, one can work on a particular image from any angle as it is possible to rotate it. Also, improvisations are visible in the color correction tool.

Photoshop CS4 Extended brought out scientific imaging techniques too. Windows Vista bit support was also added. This was the twelfth version of Photoshop and launched in April The version sparked huge expectations even before its official release as the development team had offered a sneak peek into the upcoming innovations through their Facebook page.

The version stood out among the rest as it had incorporated few properties based on the suggestions and demands of users. More than 30 features come under the category, namely color pickup, rule of thirds cropping tool and another one for straightening images automatically. The Content Aware fill tool was much appreciated by tech reviewers, media and customers alike.

It allows users to keep good content, while avoiding unnecessary blank space through clever resizing of images. The new tool allows you to delete the unwanted element while maintaining the beautiful background unblemished. With the introduction of Adobe Mini Bridge, the process of viewing, arranging and editing the image library had become simpler. All these steps can be executed without closing Photoshop. Three-dimensional brushes and video editing features were included in CS5 Extended.

The Shadow Catcher tool ensures perfection of 3D objects. Options to convert 2D images into 3D ones are another crowd pleaser. Options like Chrome, Glass and Cork were added in the materials library. The version supports more than camera models and provides highly-developed facilities for deleting unwanted noise, while adding attractive effects like grains and vignettes. The Mixer Brush tool caught the special attention of creative minds as it almost made the mouse feel like a real paintbrush.

The version came out with a revamped interface. Many design tools were newly introduced. The first one successfully removes unwanted elements of a photo. Flawless blending with surrounding areas is facilitated through this tool. Content Aware move enables users to move or extend the selected pixels to a desired area. The usage of masks and layers are no longer required.

In addition, the version surprised users with a set of tools meant for video editing. After editing, it can be exported into other Photoshop file formats. Background saving was another innovation introduced. It allows editing to continue even while another document is getting archived. A big relief in the form of auto-save feature was brought by the version. It perfectly safeguards all your efforts and no more worries about works getting accidentally deleted.

The straighten tool was yet another specialty of CS6. The tool enables any line drawn on any part of the image to automatically become horizontal.

The version gave a facelift to the overall performance of Photoshop. Meanwhile, Adobe stopped supporting Windows XP with the version Therefore, only the versions upto Another major announcement was that CS6 would be the last suitemarketed with licenses supporting Creative Cloud subscriptions. This was the year when Photoshop underwent a change in nomenclature as Adobe switched over to the Creative Cloud System in Although met with stiff resistance, the system enabled users to receive the brand new version without further delay.

Photoshop CC Fresh additions in the version included Smart Sharpen, Intelligent Up sampling, and Camera Shake Reduction for reducing image distortion due to camera shake. A new update to Adobe Camera Raw 8. Content-aware tools were enhanced in the version. It witnessed two new blur tools namely spin blur and path blur. Spin blur adds radial movement to motionless images. Directional motion to photos can be achieved through Path blur tool. Another exciting feature was the Focus Mask.

Focus Mark generates a layer mask based on parts of the picture under focus. It works well when a particular portion is under focus and another portion away from it. The speed of a handful of tasks has been improved. The version marked the 25 th anniversary of Adobe Photoshop. It was released in June with the Photoshop latest features at that time.

An easy browsing of stock images without leaving the platform was facilitated through the introduction of an integrated Adobe Stock Marketplace. Discounts in prices and in-app purchases were there. Other additions were improvised art boards and dehaze tool to help blurred images. It was creative like never before due to the facility for using ten shadows in a single layer.

Other updates included Exports As and a better look of the entire software. The ease of operating the software from touch enabled devices was greatly improved. Another attraction was the facility to search tools. Articles written to help tackle problems while using Photoshop were incorporated.

 
 

Adobe after effects cs6 full tutorial pdf free

 
 

Page: 22 To the top Project settings Project settings fall into three basic categories: how time is displayed in the project, how color data is treated in the project, and what sampling rate to use for audio. Of these settings, the color settings are the ones that you need to think about before you do much work in your project, because they determine how color data is interpreted as you import footage files, how color calculations are performed as you work, and how color data is converted for final output.

See Color management and Timecode and time display units. If you enable color management for your project, the colors that you see are the same colors that your audience will see when they view the movie that you create. Note: Click the color depth indicator at the bottom of the Project panel to open the Project Settings dialog box.

Alt-click Windows or Option-click Mac OS to cycle through color bit depths: 8 bpc, 16 bpc, and 32 bpc. See Color depth and high dynamic range color. Composition settings After you prepare and import footage items, you use these footage items to create layers in a composition, where you animate and apply effects. When you create a composition, specify composition settings such as resolution, frame size, and pixel aspect ratio for your final rendered output. For example, the composition frame size should be the image size in the playback medium.

See Composition settings. Later, you can use output modules in the Render Queue panel to encode and export a separate version of the composition for each format. See Output modules and output module settings. Performance, memory, and storage considerations If you work with large compositions, make sure that you configure After Effects and your computer to maximize performance.

Complex compositions can require a large amount of memory to render, and the rendered movies can take a large amount of disk space to store.

Before you attempt to render a three-hour movie, make sure that you have the disk space available to store it. See Storage requirements for output files. If your source footage files are on a slow disk drive or across a slow network connection , then performance will be poor.

When possible, keep the source footage files for your project on a fast local disk drive. Planning for playback on computer monitors and mobile devices When you create a movie for playback on a personal computer—whether downloaded from the Web or played from a CD-ROM—specify composition settings, render settings, and output module settings that keep file size low.

Consider that a movie with a high data rate may not play well from an older CD-ROM drive that cannot read data from the disc fast enough. Similarly, a large movie may take a long time to download over a dial-up network connection.

When rendering your final movie, choose a file type and encoder appropriate for the final media. The corresponding decoder must be available on the system used by your intended audience; otherwise they will not be able to play the movie. Trish and Chris Meyer provide an article on the Artbeats website that describes some of the considerations for creating video for the Web.

Because the amount of storage disk space and processor power are less for mobile phones than for personal computers, file size and data rate for movies must be even more tightly controlled.

Screen dimensions, video frame rates, and color gamuts vary greatly from one mobile device to another. Adobe Device Central contains device profiles that provide information about these characteristics.

See Create compositions for playback on mobile devices. Use these tips when shooting video for mobile devices: Tight shots are better. Light your subjects well, and keep them separated from the background; the colors and brightness values between background and subject should not be too similar. Avoid excessive zooming and rolling, which hinder temporal compression schemes.

Page: 23 To the top Because stable non-shaky video is easier to compress, shoot video with a tripod to minimize the shaking of the camera. Avoid using auto-focus and auto-exposure features. When these features engage, they change the appearance of all of the pixels in an image from one frame to the next, making compression using interframe encoding schemes less efficient.

Use these tips when working in After Effects: Use a lower frame rate fps for mobile devices. Use motion-stabilization tools and noise-reduction or blur effects before rendering to final output, to aid the compressor in reducing file size. Match the color palette to the mobile devices that you are targeting. Mobile devices, in general, have a limited color gamut. Previewing in Adobe Device Central can help determine if the colors used are optimal for an individual device or range of devices.

Consider using cuts and other fast transitions instead of zooming in and out or using fades and dissolves. Fast cuts also make compression easier. Cross-platform project considerations After Effects project files are compatible with Mac OS and Windows operating systems, but some factors—mostly regarding the locations and naming of footage files and support files—can affect the ease of working with the same project across platforms.

If the footage and the project are on different volumes, make sure that the appropriate volume is mounted before opening the project and that network volume names are the same on both systems.

Use the Collect Files feature to gather copies of all the files in a project into a single folder. You can then move the folder containing the copied project to the other platform. See Collect files in one location. File-naming conventions Name your footage and project files with the appropriate filename extensions, such as. If files will be used on the Web, be sure that filenames adhere to applicable conventions for extensions and paths.

Supported file types Some file types are supported on one platform but not another. See Supported import formats and Supported output formats. Resources Ensure that all fonts, effects, codecs, and other resources are available on both systems. Such resources are often plug-ins. However, some third-party effects and other third-party plug-ins may not continue to operate, even if you have versions of these plug-ins on the target system.

In such cases, you may need to reapply some third-party effects. Installing the software Before installing Adobe After Effects software, review complete system requirements and recommendations in the Read Me file. The Read Me file is on the installation disc, as well as being included in the Release Notes document available through the After Effects support section of the Adobe website. For assistance with installation issues, see the Creative Suite Help and Support section on the Adobe website.

In addition to the full version of Adobe After Effects, you can also install additional copies on additional computers to use as After Effects render engines to assist with network rendering. You install render engines in the same manner as the full version of the application.

This means that you can import and export to all of the supported file formats using the trial version. Keylight is included, however. If your installation of After Effects is missing some third-party components, contact your system administrator to ensure that all licensed components have been installed correctly. For more information about limitations of the trial version for After Effects CS5. For example, mocha for After Effects, some effect plug-ins, and some codecs for encoding and decoding MPEG formats are available only with the full version of Adobe After Effects software.

For more information about limitations of the trial version for After Effects CS5, see the Adobe website. After Effects CS5 and later is a bit application After Effects CS5 and later is a bit application, so it can only run on bit operating systems. To activate the CS4 versions of these applications, you must use a separate serial number. For assistance, contact Adobe Customer Service. For more information about installing and activating the bit applications, see the Adobe website.

Activate the software Activation is a simple, anonymous process. After installation, your Adobe software attempts to contact Adobe to complete the license activation process. No personal data is transmitted. A single-user retail license activation supports two computers. For example, you can install the software on a desktop computer at work and on a laptop computer at home. For more information on product licensing and activation, see the Read Me file or go to the Adobe website.

Page: 26 Workflows To the top General workflow in After Effects Basic workflow tutorial: Create a simple movie General workflow in After Effects Overview of general workflow in After Effects Whether you use Adobe After Effects to animate a simple title, create complex motion graphics, or composite realistic visual effects, you generally follow the same basic workflow, though you may repeat or skip some steps. For example, you may repeat the cycle of modifying layer properties, animating, and previewing until everything looks right.

You may skip the step of importing footage if you intend to create graphical elements entirely in After Effects. Import and organize footage After you create a project, import your footage into the project in the Project panel.

After Effects automatically interprets many common media formats, but you can also specify how you want After Effects to interpret attributes such as frame rate and pixel aspect ratio. You can view each item in a Footage panel and set its start and end times to fit your composition. For more information, see Importing and interpreting footage items. Create, arrange, and composite layers in a composition Create one or more compositions. Any footage item can be the source for one or more layers in a composition.

You can arrange the layers spatially in the Composition panel or arrange them in time using the Timeline panel. You can stack layers in two dimensions or arrange them in three dimensions. You can use masks, blending modes, and keying tools to composite combine , the images of multiple layers. You can even use shape layers, text layers, and paint tools to create your own visual elements.

For more information, see Composition basics, Creating layers, Transparency, opacity, and compositing, Overview of shape layers, paths, and vector graphics, and Creating and editing text layers. Modify and animate layer properties You can modify any property of a layer, such as size, position, and opacity. You can make any combination of layer properties change over time, using keyframes and expressions.

Use motion tracking to stabilize motion or to animate one layer so that it follows the motion in another layer. For more information, see Animation basics, Expression basics, and Tracking and stabilizing motion CS5. Add effects and modify effect properties You can add any combination of effects to alter the appearance or sound of a layer, and even generate visual elements from scratch.

You can apply any of the hundreds of effects, animation presets, and layer styles. You can even create and save your own animation presets. You can animate effect properties, too, which are simply layer properties within an effect property group. For more information, see Effects and animation presets overview. Preview Previewing compositions on your computer monitor or an external video monitor is fast and convenient, even for complex projects, especially if you use OpenGL technology to accelerate previews.

You can change the speed and quality of previews by specifying their resolution and frame rate, and by limiting the area and duration of the composition that you preview. You can use color management features to preview how your movie will look on another output device.

For more information, see Previewing and Color management. Render and export Add one or more compositions to the render queue to render them at the quality settings you choose and to create movies in the formats that you specify.

For more information, see Basics of rendering and exporting. Adobe recommends Have a tutorial you would like to share? See this page on the After Effects Region of Interest blog for a collection of resources for getting started with After Effects. Read a basic step-by-step introduction to the general workflow in an excerpt from After Effects Classroom in a Book.

Basic workflow tutorial: Create a simple movie This tutorial assumes that you have already started After Effects and have not modified the empty default project.

This example skips the step of importing footage and shows you instead how to create your own synthetic visual elements. After you have rendered a final movie, you can import it into After Effects to view it and use it as you would any other footage item. Some people prefer to use the mouse and menus to interact with After Effects, whereas others prefer to use keyboard shortcuts for common tasks. For several steps in this example, two alternative commands are shown that produce the same result—the first demonstrating the discoverability of menu commands and the second demonstrating the speed and convenience of keyboard shortcuts.

Change the Duration value in the Composition Settings dialog box by entering 5. Type your name. Set an initial keyframe for the Position property: Click the triangle to the left of the layer name in the Timeline panel, click the triangle to the left of the Transform group name, and then click the stopwatch button to the left of the Position property name.

Press V. Using the Selection tool, drag your text to the bottom-left corner of the frame in the Composition panel. Move the current-time indicator to the last frame of the composition: Drag the current-time indicator in the Timeline panel to the far right of the timeline. Press End. Using the Selection tool, drag your text to the top-right corner of the frame in the Composition panel. A new keyframe is created at this time for the Position property.

Motion is interpolated between keyframe values. Preview your animation using standard preview: Click the Play button in the Preview panel. Click Play again to stop the preview. Press the spacebar. Press the spacebar again to stop the preview. Double-click the effect name. In After Effects CS5. The previous keyboard shortcuts also work. Use the Add to Render Queue command instead.

In the Render Queue panel, click the underlined text to the right of Output To. In the Output Movie To dialog box, choose a name and location for the output movie file, and then click Save. For the location, choose something easy to find, like your desktop.

Click the Render button to process all items in the render queue. The Render Queue panel shows the progress of the rendering operation. A sound is generated when rendering is complete. Page: 29 Workspace and workflow Page: 32 Workflows To the top General workflow in After Effects Basic workflow tutorial: Create a simple movie General workflow in After Effects Overview of general workflow in After Effects Whether you use Adobe After Effects to animate a simple title, create complex motion graphics, or composite realistic visual effects, you generally follow the same basic workflow, though you may repeat or skip some steps.

Adobe Spark Getting Started. Adobe Dreamweaver Essentials. Size : 2 MB Downloads : Adobe photoshop tutorial. Description : Download free adobe photoshop tutorial course material and training in PDF file 37 pages Size : Adobe Captivate 9 – Accessibility.

Adobe Illustrator CC. Text effects Time effects Page: 4 Transition effects Utility effects Markers Layer markers and composition markers XMP metadata Memory, storage, performance Memory and storage CS5.

Improve performance Memory and storage CS6 Expressions and automation Plug-ins Scripts Automation Expression basics Expression language reference Expression examples Rendering and Exporting Basics of rendering and exporting Rendering and exporting for Flash Professional and Flash Player Rendering and exporting still images and still-image sequences Automated rendering and network rendering Converting movies Page: 5 What’s New 1.

This feature allows you to incorporate 3D objects into a 2D scene effectively. You can render compositions in a separate environment from the existing Advanced 3D composition renderer now called Classic 3D. Many of the existing capabilities of the Classic 3D renderer are available in the new Ray-traced 3D renderer.

Examples include soft shadows, motion blur, and depth-of-field blur. Options include beveled and extruded text and shape layers, bending of footage and composition layers, environment map support and additional material options.

Resources: Extruding text and shape layers CS6 Video tutorial: New features workshop: Using the ray-traced 3D renderer Beveled and extruded text and shape layers 3D text and shape layers can take on a bevel or extrusion or both. Properties such as bevel style, bevel depth, bevel hole depth, and extrusion depth determine the look.

Resources: Extruding text and shape layers CS6 Video tutorial: New features workshop: Extruding 3D text and shapes and modifying geometry options Video tutorial: Learn by Video: Extruding Shapes Bendable footage and composition layers In the ray-traced renderer, you can curve 3D footage and nested compositions around a vertical axis using controls in Geometry Options: Curvature: The amount of bend as a percentage Segments: The smoothness the bend Resources: Bending a footage layer Video tutorial: New features workshop: Bending 2D layers Video tutorial: Learn by Video: Bending Layers Environment layer support Use 3D footage or nested compositions as a spherically mapped environment around the scene, visible on reflective objects.

Resources: Environment layer Video tutorial: New features workshop: Environment layers Video tutorial: Learn by Video: Material Options Environment Layers New material options 3D layers in the ray-traced renderer include additional materials properties, which affect how 3D objects interact with light. For example, you can use reflection, transparency, index of refraction as materials properties.

This menu button has been reordered from highest quality and slower performance to lowest quality and faster performance.

Some options have been renamed, and keyboard shortcuts have been assigned to them. Previously, the width of the feather was the same around the entire closed mask.

The Mask Feather tool is available from the Pen tool. Press G to toggle between the Pen tool and the Mask Feather tool. Resources: Variable-width mask feathering CS6 Video tutorial: New features workshop: Variable-width mask feathering Layer bounding boxes and selection indicators Layer bounding boxes and selection indicators include features to support the new 3D features.

They support beveled, extruded, or curved layers, in addition to standard “flat” layers. You can scale and rotate a 3D layer by manipulating the bounding box from any side.

Snapping the anchor point to different parts of a side of a bounding box is also available. Resources: Layer bounding boxes and selection indicators Video tutorial: New features workshop: Layer bounding boxes and selection indicators Video tutorial: reTooled. Furthermore, with the new 3D extrusion support, you can extrude artwork. For example, you can extrude and stylize logos in After Effects CS6.

Resources: Vector art footage-to-shape conversion Video tutorial: New features workshop: Converting imported vector graphics from Illustrator to shape layers Rolling shutter repair effect Rolling shutter distortion occurs mainly in digital cameras with CMOS sensors.

This distortion usually occurs when the subject or the camera moves. The Rolling Shutter Repair effect fixes footage containing rolling shutter distortion. The Warp Stabilizer effect also has rolling shutter repair function. However, the Rolling Shutter Repair effect has more controls and is useful when the footage does not need stabilizing. In CS6, you can now run aerender or use Watch Folder in a non-royalty bearing mode, with serialization not required.

Resources: Network rendering with watch folders and render engines Scripting changes Numerous scripting changes have been made, and are compiled on the After Effects Region of Interest blog. See this series on the video2brain website for video training about every new and changed feature in After Effects CS5. For the tutorials, see this Adobe TV video series. Top new features in After Effects CS5. Source timecode: Source timecode CS5. Light falloff: Light settings. Plus many more. Legal Notices Online Privacy Policy 7.

However, there were still a couple of issues. See these posts on the After Effects user-to-user forum for a discussion of alternatives and feedback. This post on the After Effects Region of Interest blog has more information about giving feedback in general. Projects and compositions changes The default composition settings are now for a second x HDTV composition: Composition settings In previous versions, if you were entering or editing text when it was time for an auto-save, you would be forced out of text-editing mode.

Now, if you’re in text-editing mode when it’s time for an auto-save, that auto-save is skipped: Save and back up projects in After Effects CS5 The Frame Rate control in the Composition Settings dialog box now includes a menu that allows you to select from a list of common frame rates: Change frame rate for a composition 8.

Page: 13 The composition background color setting is now located in the Composition Settings dialog box instead of on the Composition menu, and the keyboard shortcut for accessing only the composition background color has been removed: Composition settings When you double-click a precomposition layer when the Roto Brush tool or a paint tool is active, the precomposition layer opens in a Layer panel.

To open the nested composition in a Composition panel instead, Alt-double-click Windows or Option-double-click Mac OS the precomposition layer: Opening and navigating nested compositions Importing and managing footage items changes Added interpretation rules and gamma rules for ProRes media: Interpret footage items Added.

After Effects CS5 can import and export FLV files encoded with the On2 VP6 codec: Render and export a composition as an FLV or F4V file When you drag a completed output module to a folder in the Project panel, you import the output file or files into that folder: Output modules and output module settings Double-click a footage item in the Project panel to open it in a Footage viewer.

Alt-double-click Windows or Option-double-click Mac OS a footage item in the Project panel to open the source file in the media player assigned for that file type by the operating system. Press Enter on the numeric keypad to open selected footage items in a Footage viewer. The behavior in previous versions was less predictable and more complex, and was limited to specific media players: View footage item in the Footage panel or media player assigned by operating system Layers and properties changes Added Divide and Subtract blending modes: Blending mode reference The Label Colors and Label Defaults preferences categories have been combined into one Labels preference category.

Null Object and Text items have been added to the Label Defaults section, and a new label color control Dark Green has been added in the 16th position. In After Effects CS5, the default center cut action-safe margin is Page: 14 corner of each view such as Top or Right to indicate which view is associated with which camera perspective. To hide these labels, choose Show 3D Labels from the Composition panel menu: Choose a 3D view When you click the Current Time control in the upper-left corner of the Timeline panel, you can now enter a time directly in the box instead of opening the Go To Time dialog box: Move the current-time indicator CTI When you click the Time Navigator in the Timeline panel, the Info panel shows the times of the beginning and end of the Time Navigator duration: Zoom in or out in time for a composition When you click the Work Area bar in the Timeline panel, the Info panel shows the times of the beginning and end of the work area.

This change corresponds with a change in gamma from 1. Use the corresponding tools to apply the effects: Paint tools: Brush, Clone Stamp, and Eraser and Animating with Puppet tools The histogram in the Levels effect provides the option to see individual color channels in context with other color channels, as well as showing color channels as colorized: Levels effect The Alpha Levels effect has been removed. Instead, use the Levels effect, which can be assigned to work only on an alpha channel, has a histogram, and is a bpc effect.

Old projects that use the Alpha Levels effect will still open, and you will still be able to modify the Alpha Levels effect properties in these projects: Levels effect The Vector Paint effect has been removed. Compositions created with a previous version of After Effects that use the Vector Paint effect will still render, but you will not be able to modify the Vector Paint effect properties in these compositions.

Instead, use paint tools and shape layers: Drawing, painting, and paths Font preview support the Show Font option has been removed from the Basic Text, Path Text, and Numbers effects.

Even if a property of an effect is selected, the effect itself not just the selected properties visible in the Timeline panel will be copied. The start-up time for the background processes used in Render Multiple Frames Simultaneously multiprocessing is also reduced. Plug-ins, scripts, and automation changes Esc key interrupts a running script: Loading and running scripts After Effects CS5 can load and run only bit plug-ins, not bit plug-ins: Plug-ins Pixel Bender Toolkit 2.

The dialog box contained an option for using RLE run-length encoding. This option is now Page: 16 always on. Remaining are color depth options for Colors 8-bpp color , Millions Of Colors 8-bpc , Trillions Of Colors bpc , and Floating Point bpc : Output modules and output module settings Removed overflow volumes feature.

Changed Segment Movie Files At preference to Segment Video-only Movie Files At preference: Segment settings Removed some fractional audio sample rates and ability to set audio sample rate to an arbitrary, custom value in output module settings.

These changes are for Mac OS only. For a complete list of keyboard shortcuts, see Keyboard shortcuts. Rolling the mouse scroll wheel zooms in this context: Scroll or zoom with the mouse wheel Page: 17 Many dialog boxes now have a Preview option that allows you to see the results of changes before you close the dialog box. In the Project, Render Queue, and Effect Controls panels, you can use the arrow keys to expand or collapse groups.

Several more features now operate on the visible viewer in ETLAT mode, including keyboard shortcuts for toggling grids, toggling guides, showing channels, working with snapshots, and sending a preview to an external video monitor: Edit this, look at that ETLAT and locked Composition viewers Changed some user interface strings to make their meaning and function more clear.

This option is now always on. Legal Notices Online Privacy Policy Page: 18 After Effects getting started tutorials To learn more, view these recommended resources online.

After Effects CS6: what’s new and changed Apr. Page: 21 Planning and setup To the top Planning your work Planning for playback on computer monitors and mobile devices Cross-platform project considerations Planning your work Correct project settings, preparation of footage, and initial composition settings can help you to avoid errors and unexpected results when rendering your final output movie.

The best way to ensure that your movie is suitable for a specific medium is to render a test movie and view it using the same type of equipment that your audience will use to view it. Aharon Rabinowitz provides an article on the Creative COW website about planning your project with the final delivery specifications in mind.

For a video tutorial on creating and organizing projects, go to the Adobe website. You can use Adobe Photoshop and Adobe Illustrator to create storyboards. You can use Adobe Story to collaboratively write and manage screenplays.

Adobe Story also converts information from a screenplay into XMP metadata that can automate the creation of shooting scripts, shot lists, and more. Acquiring, choosing, and preparing footage Before importing footage, first decide which media and formats you’ll use for your finished movies, and then determine the best settings for your source material. For example, if you want an image to fill your composition frame, configure the image in Adobe Photoshop so that the image size and pixel aspect ratio match the composition size and pixel aspect ratio.

See Pixel aspect ratio and frame aspect ratio. Consider using Adobe OnLocation while shooting footage to make sure that you get the most out of your time and footage. If possible, use uncompressed footage or footage encoded with lossless compression. Lossless compression means better results for many operations, such as keying and motion tracking.

Certain kinds of compression—such as the compression used in DV encoding—are especially bad for color keying, because they discard the subtle differences in color that you depend on for good bluescreen or greenscreen keying. See Keying introduction and resources. See Frame rate.

For example, if you know that you want to animate using motion tracking, consider shooting your scene in a manner that optimizes for motion tracking—for example, using tracking markers. See Motion tracking workflow. David Van Brink shows an excellent example on his omino pixel blog of why shooting in a high-definition format is useful even for standard- definition delivery, because the extra pixels give you a lot of room for synthetic fake camera work, such as zooms and pans in post-production.

Page: 22 To the top Project settings Project settings fall into three basic categories: how time is displayed in the project, how color data is treated in the project, and what sampling rate to use for audio. Of these settings, the color settings are the ones that you need to think about before you do much work in your project, because they determine how color data is interpreted as you import footage files, how color calculations are performed as you work, and how color data is converted for final output.

See Color management and Timecode and time display units. If you enable color management for your project, the colors that you see are the same colors that your audience will see when they view the movie that you create. Note: Click the color depth indicator at the bottom of the Project panel to open the Project Settings dialog box. Alt-click Windows or Option-click Mac OS to cycle through color bit depths: 8 bpc, 16 bpc, and 32 bpc.

See Color depth and high dynamic range color. Composition settings After you prepare and import footage items, you use these footage items to create layers in a composition, where you animate and apply effects.

When you create a composition, specify composition settings such as resolution, frame size, and pixel aspect ratio for your final rendered output. For example, the composition frame size should be the image size in the playback medium. See Composition settings. Later, you can use output modules in the Render Queue panel to encode and export a separate version of the composition for each format.

See Output modules and output module settings. Performance, memory, and storage considerations If you work with large compositions, make sure that you configure After Effects and your computer to maximize performance. Complex compositions can require a large amount of memory to render, and the rendered movies can take a large amount of disk space to store.

Before you attempt to render a three-hour movie, make sure that you have the disk space available to store it. See Storage requirements for output files. If your source footage files are on a slow disk drive or across a slow network connection , then performance will be poor. When possible, keep the source footage files for your project on a fast local disk drive.

Planning for playback on computer monitors and mobile devices When you create a movie for playback on a personal computer—whether downloaded from the Web or played from a CD-ROM—specify composition settings, render settings, and output module settings that keep file size low.

Consider that a movie with a high data rate may not play well from an older CD-ROM drive that cannot read data from the disc fast enough. Similarly, a large movie may take a long time to download over a dial-up network connection. This tutorial shows how take a scene from Cinema 4D and bring it over into AE.

After Effects is a compositing program and this is a perfect example of how to take a basic animation and add some after effects! Earth Zoom In this tutorial youll learn how to create a cosmic Earth zoom in AE and use masking and parenting to link imagery,. Learn to Make a Custom 3D Wall Text Reveal Using basic AE tools and some expressions you will learn how to create this 3D wall made of custom shapes and a nice laser beam to reveal your text.

Superperson Opening title in After Effects In this tutorial, Chad Castleberry will walk you through an all new, updated technique to creating an opening title sequence seen in movies like Superman or The Last Starfighter. Concepts covered: The Echo Effect, simple keyframe animation, and using fractal noise to create an interesting starscape.

Fracture Design In this tutorial youll learn how to fracture layers and manipulate in 3D space with ease and how to use expressions, scripts and create a distressed title. Creating a Tracked Head Wound In this tutorial Mathias shows that corner pin tracking can do much more than just replacing some pictures on a wall. We are going to compose a wound on a moving head and use the Mocha tracker in combination with his script MochaImport. Trust me, this is so much easier then creating a real head wound!

Create the My Paper Mind Effect This tutorial will teach you how to recreate the My Paper Mind effect done by Javan Ivey, but with the environment in mind, Nicolas has come up with a way to save some paper as well as about 3 days worth of paper cuts! It is all done in After Effects without any third party plug-ins. Advanced track and clone in AE Visual-effects and motion-graphics specialist Angie Taylor shows how to use After Effects Clone Stamp tool to convincingly add to moving footage.

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